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Events

Rome: The Smashing Pumpkins on august 1st at the Capannelle Hippodrome

As part of Rock in Roma, the legendary band led by Billy Corgan, THE SMASHING PUMPKINS, will perform on August 1, 2025, at the Capannelle Hippodrome. They will play their greatest hits and present their latest album, “Aghori Mhori Mei”, released earlier this year. This is a unique opportunity to experience the electrifying energy and melancholic poetry of one of the most iconic bands in alternative rock. Tickets will be available starting Friday, December 20, 2024, at 10:00 AM on rockinroma.com, ticketone.it, and ticketmaster.it. Born in the early ’90s under the fiery leadership of the brilliant and charismatic Billy Corgan, the Pumpkins have defied labels, crossing genres and decades with a chameleon-like ability that few bands can match. From the distorted and dreamy sounds of masterpieces like “Siamese Dream” (1993) to the epic symphony of “Mellon Collie and the Infinite Sadness” (1995)—a double album that made music history—The Smashing Pumpkins have crafted a unique sonic universe: a captivating mix of grunge, shoegaze, heavy metal, psychedelia, and majestic orchestrations. “Bullet With Butterfly Wings,” “Tonight, Tonight,” “1979”—songs infused with rebellious energy and melancholic poetry that resonate with entire generations. Their music is more than just sound; it’s an emotional journey, a dive into the light and dark sides of the human soul, driven by Corgan’s unmistakable voice and thunderous guitars that rage like electric storms. In an era where rock seemed defined, the Pumpkins broke the mold, becoming symbols of innovation and introspection. Over thirty years later, their legend continues to grow, inspiring and mesmerizing audiences worldwide. Their concerts are pure sonic catharsis: immersive light and sound shows that transport spectators on a journey through their glorious past and an unwritten future. The Smashing Pumpkins are more than a band; they are a living legend.

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Actuality

Acea Illuminates the Jubilee

115 Years Since Its Founding, the Group’s Commitment to the Holy Year 2025 Acea announced its initiatives and projects for the Holy Year 2025 in the Sala San Pio X in the Vatican. The event featured speeches from His Excellency Monsignor Rino Fisichella, Pro-Prefect of the Dicastery for Evangelization, and Acea’s leadership, including Chairwoman Barbara Marinali and CEO Fabrizio Palermo. They outlined the company’s contributions to the internationally significant event set to begin in a few days. One of the most notable projects was carried out by Areti, the Group’s subsidiary responsible for public and artistic lighting in the City of Rome. Areti revamped and enhanced the lighting of the statues atop the colonnade of St. Peter’s Square. Thanks to this light architecture project, the 140 travertine sculptures crowning the columns and pillars of the most iconic peristyle in the Christian world are now illuminated by 280 next-generation LED projectors. These projectors are energy-efficient and environmentally friendly. Additionally, the company upgraded the LED lighting for the public spaces of St. Peter’s Square, Via della Conciliazione, and the chandeliers of Bernini’s colonnade. In preparation for the Jubilee, Acea is also installing 14 new Water Houses, two within Vatican City and 12 in Rome, strategically placed along Jubilee routes and near major Basilicas. These will complement the existing Water Houses and the city’s 2,500 iconic “nasoni” fountains, providing tourists and pilgrims with access to some of the world’s purest and most certified drinking water—Rome’s water. Acea has also launched the new app “Acquea,” which geolocates over 150,000 water points on a map. The app provides information in three languages (Italian, English, and Spanish) about the quality of the water available. The company will support the Jubilee of Adolescents from April 25 to April 27, which is expected to draw over 100,000 young people aged 12 to 17 to the capital. Acea will carry out water conservation awareness initiatives as part of an educational program in schools. Further details on the projects and more in-depth information are available at the following link: https://www.gruppo.acea.it/giubileo.

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Actuality

Rome: Inspections ahead of the Jubilee, Police shut down two hospitality establishments

Area near Termini Station. Police inspections of hospitality facilities are becoming increasingly stringent in preparation for the Jubilee: two unauthorized hotels have been uncovered, and the Rome Police Chief has ordered their immediate closure. Preventing illegal operations and management practices that disregard current regulations for hospitality establishments is one of the main reasons that led the Rome Police Chief to seal two properties located on Via Palestro and Via Varese. This decision follows numerous inspections conducted by the State Police in view of the upcoming Jubilee. Starting with a simple license for guesthouses — as in the case of the property on Via Palestro — or an “alternative form of hospitality” license — as in the case of the property on Via Varese — and then effectively managing the facility as a hotel is one of the methods used to circumvent laws and regulations. This is precisely the violation identified by officers from the Administrative Division of the Rome Police Department regarding the owners of the two establishments in question. After reviewing the documentation, the Rome Police Chief, tasked by law with ensuring the safety and well-being of citizens, issued an order for the immediate cessation of the illegal activities. The order was executed by agents from the Administrative and Social Division.

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Events

“Christmas in Jazz” is coming: seven events to celebrate the holidays at Casa del Jazz in Rome

December 21–29, 2024 The much-anticipated Christmas concert series returns to the Casa del Jazz in Rome, a musical journey that explores the origins and evolution of jazz—from dixieland and swing to bop. Seven extraordinary evenings featuring orchestras, vocal ensembles, and small bands will enliven the most festive time of the year, offering unique moments of rhythm and magic. Before Christmas, two concerts will feature clarinetist and composer Nico Gori with two different ensembles: the explosive Swing 10tet of ten musicians (December 21) and the Young Lions Quartet (December 22). The popular banjo virtuoso Lino Patruno will perform jazz Christmas classics with a sextet (December 23). After Christmas, the program continues with Retrosax, a group featuring three saxophones—alto, tenor, and baritone—with rhythm section accompaniment (December 26), followed by trombonist and leader Massimo Pirone, who will bring to life jazz classics from the 1920s and 1930s (December 27). The highly anticipated Rossana Casale returns with her new album Almost Blue, a program of jazz standards inspired by the color blue, such as Afro Blue, Almost Blue, Blue in Green, and more (December 28). The grand finale features the Mario Corvini Big Band, a 16-piece jazz ensemble, with internationally renowned guest soloist Rosario Giuliani (December 29). PROGRAM December 21 and 22 at 9 PM NICO GORI SWING 10TET The Nico Gori Swing 10tet is an explosive project and one of the most refined jazz ensembles in Italy, led by clarinetist and saxophonist Nico Gori. In 2025, the group will celebrate its 10th anniversary. Since starting his career in 1998, Nico Gori has contributed to numerous jazz, funk, and pop recordings, as well as creating jingles and TV music. He has collaborated with some of the biggest names in international jazz. December 22 at 6 PM NICO GORI & YOUNG LIONS This quartet alternates American jazz standards with original compositions by leader Nico Gori. The program also features forays into South American music, including Brazilian pieces from choro to bossa nova. The ensemble is known for its refined sound, well-crafted arrangements, youthful energy, and outstanding interplay among the “young lions” musicians. December 23 at 9 PM LINO PATRUNO Lino Patruno will perform on banjo and vocals, presenting some of the great jazz classics, including Jingle Bells and White Christmas, in celebration of the season, infused with swing and jazz feeling. The concert will also pay tribute to jazz legends such as Louis Armstrong, Bix Beiderbecke, Nick La Rocca, Coleman Hawkins, Eddie Lang, Billie Holiday, Sarah Vaughan, and Ella Fitzgerald. Lino Patruno has received the Golden Globe from the Foreign Press for the film Forever Blues (directed by and starring Franco Nero) and a personal commendation from President Mattarella for his contributions to jazz history. December 26 at 9 PM RETROSAX FEAT. GIORGIO CUSCITO, RED PELLINI & FABRIZIO D’ALISERA Retrosax is a band composed of three saxophones—alto, tenor, and baritone—plus a rhythm section with guitar, double bass, and drums. The arrangements focus on harmonized saxophone themes reminiscent of a big band sax section, while allowing freedom and spontaneity for the soloists, evoking the lively energy of a jazz club jam session. The repertoire spans the 1920s to early 1940s, showcasing pure mainstream swing. December 27 at 9 PM MASSIMO PIRONE “THE LORDS OF DIXIELAND” This project stems from leader Massimo Pirone’s passion for original jazz music from the 1920s and 1930s. The Lords of Dixieland Orchestra performs American jazz standards from that era, using authentic arrangements provided to Pirone by an American archivist, including works by Hoagy Carmichael. Unlike many tributes to this genre, this performance exclusively features original period arrangements. December 28 at 7:30 PM and 9 PM ROSSANA CASALE Following her work on Joni, Rossana Casale returns to jazz with Almost Blue, a concept album inspired by the color blue and its deeper significance in jazz. Blue symbolizes melancholy and hope. From the “blue feeling” came the blues, rooted in the songs of enslaved people in cotton fields, reflecting a longing for freedom and redemption. “The blues is more than a color; it’s a moan of pain, the flavor of conflict, a sad refrain, but also a game that life plays” (All Blues – Kind of Blue, M. Davis, 1959). December 29 at 9 PM MARIO CORVINI BIG BAND – Special Guest ROSARIO GIULIANI The Mario Corvini Big Band was born from an idea by Mario Corvini, founder of the New Talents Jazz Orchestra in 2012 and co-founder of the Parco della Musica Jazz Orchestra in 2005. This classic jazz ensemble features 16 musicians plus a conductor. The program includes original compositions by Mario Corvini, shaped by years of collaborations. These works maintain artistic originality while being enriched by the unique contributions of guest soloists. In this performance, the guest soloist is internationally acclaimed saxophonist Rosario Giuliani. Corvini and Giuliani share a long-standing friendship and professional history, including their work on the Miserere project with the Mac Saxophone Quartet, for which Corvini arranged the music. INFO AND TICKETS: WWW.CASADELJAZZ.COM

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Events

“True or False”: Marco Capretti’s Show from March 14th to March 30th, 2025 at Fonderia delle Arti

  “True or False” is the title that captures the essence of this show. Over ninety minutes, Marco will explore roughly three thousand years of known history, from the mysteries of the pyramids, through the tablets of Moses, and up to the moon landing. Enigmas, anecdotes, and twists of reality that we have necessarily taken as true, but which we will discover to be surprisingly false and incredibly comedic! Were the most infamous villains in history really as bad as they’re made out to be? How many popes exercised spiritual (and temporal) power simultaneously? What if Salvini’s alcohol law decree had been passed in the last century? How did things really go between Michael Jackson and Albano? And what if the Rocky soundtrack had been written in Italy? These are just a few of the curiosities that will offer the audience a completely new perspective—different from the one they know—astonishing, and at times romantic. The use of a LED wall will enrich the storytelling with unpublished video and photographic content that is surprising and, of course, comical. History rewritten in a new, innovative, curious, and witty way! Thus, a show is born where the audience becomes curious, participates, and laughs. Thanks to its spontaneity, themes, and language, it is extremely enjoyable and suitable for all ages. Enjoy the show! Theater: Fonderia delle Arti Dates: March 14th to March 30th, 2025 Showtimes: Fridays and Saturdays at 9:00 PM – Sundays at 5:30 PM Info & Reservations: Address: Via Assisi 31 (Rome, Tuscolano) – 06.2754379 Production contact: 389.8285328

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Curiosity

Jubilee: Journey through history and curiosities

The Jubilee originates from the Jewish tradition that, every 50 years, designated a year of rest for the land—a special year of forgiveness and repentance during which sins were forgiven, slaves were freed, and debts were canceled. The term “Jubilee” derives from the Hebrew yobel, meaning “ram,” as in ancient Israel, the sound of a ram’s horn marked the beginning of the Holy Year. The first Jubilee of the Church was introduced by Pope Boniface VIII in 1300 with the papal bull Antiquorum habet fida relatio. This bull granted plenary indulgence to all who, during that calendar year, visited the Basilicas of St. Peter and St. Paul Outside the Walls thirty times if they were Roman citizens or fifteen times if they were foreigners. In over 700 years of history, the Jubilee was delayed only once. This was for the 1600 Jubilee when Pope Clement VIII was unable to attend the opening of the Holy Year. The Jubilee’s start was postponed by one week, moving from December 24 to December 31. The Pope’s absence, however, had no “mystical” reason—it was due to a sudden attack of gout. Clement VIII, born Ippolito Aldobrandini, continued his papacy for 13 more years until his death. The 1600 Jubilee is also remembered for a historic event: the execution of Giordano Bruno in Campo de’ Fiori. The former Dominican friar from Nola was burned at the stake, accused by the Roman Inquisition of heresy. He was charged with defying the sacred dogmas of Catholicism and deliberately seeking martyrdom, dismissing physical suffering and asserting that his soul would reunite with the universe. Bruno’s execution exemplified the repressive climate of the Holy Inquisition, which sought to safeguard ecclesiastical power by suppressing disruptive ideas and controlling scientific inquiry. The Jubilee, however, did not eradicate certain peculiar vices among the clergy. For instance, smoking tobacco inside churches became a widespread practice among Vatican priests. The Jubilee has also faced devastating epidemics. One of the most dramatic instances occurred during the Jubilee of 1350, which was overshadowed by the Black Death. Originating in northern China and spreading to Europe via Syria, Turkey, and Greece, the plague mysteriously disappeared around 1353, but not before killing at least one-third of Europe’s population. From that year onward, only those with a valid health certificate, proving the absence of plague in their area of residence, were allowed to participate in the Jubilee in Rome. Pope Alexander VI Borgia, in 1500, established the rigid ceremonial framework of the Jubilee, which has remained largely unchanged. That year also saw the construction of the so-called Via Alessandrina, linking St. Peter’s Basilica to Castel Sant’Angelo, achieved by demolishing the medieval district of Borgo. The Holy Year begins with the Pope passing through the Holy Door, holding a cross in his right hand and a lit candle in his left. The same ceremony is performed by cardinals at the other three basilicas. The Holy Year concludes with the Holy Doors being bricked up until the next Jubilee. The life of Michelangelo Buonarroti, one of the greatest figures of the Italian Renaissance, is intertwined with Jubilee years. In 1499, Michelangelo completed the famous Pietà, which was displayed at the entrance of St. Peter’s Basilica for the 1500 Jubilee celebrations. In 1525, during the ninth Jubilee, the Sistine Chapel frescoes were completed, and in 1550, the extraordinary Last Judgment was unveiled to the world. According to various literary interpretations, Dante’s imaginary seven-day journey through Hell, Purgatory, and Paradise took place during the Easter period of the first Jubilee of 1300, specifically on Good Friday, April 8. Dante’s literary “wandering in the dark forest” is set at the midpoint of his life, approximately at age 35. Since Dante was born in 1265, the year 1300 aligns perfectly. In The Divine Comedy, Canto XVIII of Inferno, Dante describes the event: “The sinners were naked in the valley; from the middle they came towards our faces, on one side with us, but with larger steps, as the Romans, during their vast crowds, in the Jubilee year, organized their ways, one side facing the castle, heading to St. Peter’s, the other towards the mountain on the other shore.” In 1800, the Jubilee was tied to political upheavals in Italy and Europe. At the start of the 19th century, the Jubilee was not proclaimed, as Pope Pius VI had been imprisoned in France, where he died in exile in 1799. His successor, Pius VII, had not yet assumed office. Similarly, the Jubilee was not celebrated in 1850. Pope Pius IX was not in Rome at the time, returning to the city only on April 12, 1850, with the support of French forces after the Roman Republic period. In 1875, the Jubilee was announced but not held, as in 1870, Rome had become part of the Kingdom of Italy and its capital in 1871. Pope Pius IX voluntarily confined himself to the Vatican. The Jubilee of 2000 held special significance as it celebrated two millennia since the birth of Christ and was the first Jubilee spanning two millennia. Over the centuries, the Jubilee has also had a significant impact on tourism. The phrase “the Romans all became innkeepers” highlights the business opportunities created by the influx of pilgrims. Thousands arrived in Rome, seeking accommodations and meals from the locals. This gave rise to the saying that Romans transformed into innkeepers, capitalizing on the natural economic boom generated by the extraordinary flow of pilgrims. Another notable aspect is the dual nature of the event: ordinary and extraordinary. An ordinary Jubilee occurs at regular intervals (every 25 years), while an extraordinary Jubilee is proclaimed at the Pope’s discretion. For the 2025 Holy Year, the Holy Door at St. Peter’s Basilica will open on December 24, 2024. The other three Holy Doors in Rome will open on December 29, 2024, at St. John Lateran (the Pope’s cathedral); on January 1, 2025, at St. Mary Major; and finally, on Sunday, January 5, at St. Paul Outside the Walls.

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